![]() ![]() Swan elaborated on it in his 1927 primer, You Can Write Plays. The American playwright and scriptwriter Mark Swan (1871-1942) "could talk of little else" than the motto he'd placed on the wall above his writing desk "Show–not tell". In 1927, Swan published a playwriting manual that made prominent use of the showing-versus-telling distinction throughout. In 1921, the same distinction, but in the form picture-versus-drama, was utilized in a chapter of Percy Lubbock's analysis of fiction, The Craft of Fiction. Krows, the American dramatist Mark Swan told Krows about the playwriting motto "Show – not tell" on an occasion during the 1910s. ![]() Its having become, by the mid-twentieth century, an important element in Anglo-Saxon narratological theory, according to dramatist and author Arthur E. For instance, you’ll have a moonlit night if you write that on the mill dam a piece of glass from a broken bottle glittered like a bright little star, and that the black shadow of a dog or a wolf rolled past like a ball." The concept is often attributed to Russian playwright Anton Chekhov, reputed to have said "Don't tell me the moon is shining show me the glint of light on broken glass." What Chekhov actually said, in a letter to his brother, was "In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. #RULE 1 OF STORYWRITING MOVIE#The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagism poetry in particular, speech, movie making, and playwriting. It avoids adjectives describing the author's analysis, but instead describes the scene in such a way that readers can draw their own conclusions. Show, don't tell is a technique used in various kinds of texts to allow the reader to experience the story through actions, words, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. This article is about the composition principle. ![]()
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